One of the beauties of reading well-seasoned literature is that we modern women forget what life was like for women a hundred or more years ago. How easily we forget that having the liberty to choose one’s own activities is a relatively recent phenomenon for women. For Elizabeth, an upper class woman who was not enchanted by cooking and sewing, her passions for such “wasteful” activities as reading books and garden planning could only be fulfilled because of an indulgent husband, but even then, only then with ever-present feelings of guilt.

To Kill a Mockingbird is a modern American Classic and winner of a Pulitzer prize. With an upfront and direct personality and the innocence that is characteristic of children, Scout introduces us to Maycomb with all its qualities, injustices and idiosyncrasies. In her narrative, Scout is not always aware of the many layers of complications existing in the facts she describes, her innocence makes her somewhat naïve, but the incongruence and unfairness of the situation are not lost on the reader.

The First Sir Percy could be called The Laughing Cavalier, Part II because it takes up where the previous book leaves off in the highly addictive Scarlet Pimpernel series. The story teeters on the brink of disaster, as again, we wonder just who can we trust, and how in the devil is Diogenes going to get out of this trap, and again, should he? If you have read The Laughing Cavalier, don’t stop there. After all, you’ve already learned the Dutch, you know the characters, so you can sit back, relax, and enjoy The First Sir Percy.

The first of two prequels to The Scarlet Pimpernel, The Laughing Cavalier is set in Holland in 1623. It tells the story of Percy Blake, a foreign adventurer and ancestor of the Scarlet Pimpernel who goes by the name Diogenes. Unlike The Scarlet Pimpernel, Diogenes has not yet established himself as a man of sterling character or irreproachable moral integrity. Some of the fun of The Laughing Cavalier is that one is uncertain whether he will wind up in jail or on the scaffold, and whether he just might deserve such a fate.

Today’s reader might find some aspects of the novel moralistic–however Alcott is never preachy. She broaches subjects such as etiquette, feminine behavior, and the roles of the parent, spouse and child in a happy home. These moral teachings can be used by the reader or disregarded, but the completely genuine way Alcott presents her subject matter makes it easy to digest. If you are open to the advice she is giving, Little Women makes for a wonderful self-help book for women and men of all ages.

Originally published in 1919, Night and Day contrasts the daily lives of four major characters while examining the relationships between love, marriage, happiness, and success. Like Virginia Woolf’s first novel The Voyage Out, Night and Day is a more traditional narrative than her later novels. Unlike her first novel, however, Night and Day relies much more on its characters’ internal struggles to push the its plot forward.

Meet Peter Wimsey, an English lord with a penchant for solving sordid crimes. Mervyn Bunter, Wimsey’s valet, plays Dr. Watson to Lord Peter’s skewed Sherlock. What makes this a unique detective novel is that before the crime can be solved, the investigators must decide if a crime has been committed and, more importantly, who is this dead man to begin with? And what is he doing in someone else’s bathtub wearing only a pince nez?

In this first novel (but third in chronological order) of the Scarlet Pimpernel series, the question foremost in the reader’s mind is “Who is the Scarlet Pimpernel?” The plot involves an unintended betrayal by a loved one, a desperate flight into France to save more Aristos, and a daring charade to mislead an unscrupulous French henchman hot on the Pimpernel’s trail. To tell more would be to give away some of the delights of this novel.